In my mood/concept mapping, I wrote down the words:
not really sure where this is going but that’s the experience/aesthetic I’m working towards.
It is partially inspired by James McNeill Whistler’s tonalism paintings (there’s a great book by the Clark Art Museum) and I also saw his work in the National Gallery of Art in DC years ago.
I’m playing with all sorts of oil painting goop- gamsol, stand oil, cold wax, linseed oil. I am eyeing this strangely named medium, Neo-Megilp, although I am really trying to resist buying it to satisfy my curiousity. Artists of Portland…let’s meet up and try each other’s art supplies for the sake of our wallets!
I started with a dark transparent color, ultramarine. And wow is it glowing In fact, the painting actually really reminds me of a lot of the digital painting work that is coming out of ipads. Not sure if that’s a good thing, but I do like the texture, layering, and softness that is happening. I think I just need to ground the next one in a less artificial feeling color than ultramarine.
Also, this painting looks awesome in direct sunlight, but not as good in inferior lighting. I’m a little worried that all of my oil paintings are going in that direction…
Oh and I painted this on a prestretched oil primed linen panel that was on a major clearance at Blick. Boy could I get spoiled with this material!