Tag Archives: painter

Spring Flowers- some oil paintings

I’ve been awful about updating my blog this year. In fact I hadn’t thought about it at all when Portland artist Randall David Tipton emailed me to tell me he had read my blog post about his artwork that I wrote over a year ago. He returned the favor and highlighted a watercolor on his blog. Thank you Randall!

After a very long, wet winter (one of the wettest winters on record in Oregon), it is flower season here in Portland. This is the time of year when it is really hard for me to concentrate on doing any paintings because I just want to be out in the sun and take lots and lots of pictures.

Anyway, I wanted to update my blog to show some spring flower oil paintings I have completed recently. I wanted these to be light, bright, and colorful.  In the first painting of a quince bouquet, I wanted it to feel like a watercolor- painting with thin, transparent layers. This was successful for the most part but not sure if there’s too much ‘white’ left? What do you think? I’m going to do another one with the same technique, but start with a solid color background first to avoid that problem. I’ve prepped a canvas with a very light bright lavender. We’ll see how that goes.

Glowing quince, 2017, oil on linen, 16x20

Glowing quince, 2017, oil on linen, 16×20

This next one is also a painting done from the same quince bouquet in a teal vase but from a different perspective. I also used  a slightly different technique, painting much thicker. I think my obsession with Matisse shows a bit more here. Which one do you like more this one or the first one?

Quince bouquet, 2017, oil on canvas, 16×20

Here’s another closeup of a spring bouquet, I think composed of all the early spring blossoms:   quince, forsythia, and cherry blossom leaves. I had a lot of fun playing with color- glazing the background in teal and emerald green, creating the dark purple leaves.

Spring bouquet, teal. 2017. Oil on canvas, 16x20

Spring bouquet, teal. 2017. Oil on canvas, 16×20

Inspiration From the new Whitney: Willem de Kooning

Willem de Kooning, Woman and Bicycle @ The Whitney

The new Whitney Museum looks like Boston’s ICA and is similarly situated near the water on Manhattan’s west side near the High Line. I was kind of disappointed by the lack of exhibits for the amount that I paid, but their permanent collection was quite good. It rained when I went but they also have a very nice observation deck and cafe on the top floor.

I really liked this information provided by the Whitney curators:

Willem de Kooning never believed that abstraction and representation were mutually exclusive. As he stated: “I’m not interested in ‘abstracting’ or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it–drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.”

This de Kooning painting was large at 76 1/2 × 49 1/8 in. Some questions that I ask myself are: how do I know when I’m done, and is this piece professional, museum quality. It’s interesting to see the bare linen exposed at the edges with the staples showing and no frame or glass.

A lot of paintings now will have a solid color painted on the edges to provide a more polished look. I usually think of linen as suitable for fine glazing techniques but de Kooning had no problem with applying his oil paint thick in many locations.

Close snapshots of various parts of the painting look like they could be their own abstract painting.

He also used vivid, saturated pastel colors but the painting is balanced by the black and the grey of the raw linen. I wonder how he  treated his linen. It doesn’t look like used any white gesso, which is normally used to protect the supporting material of canvas or linen from the oil paint. I too like the color of raw linen better than  the very white gesso.