I actually found Randall, a Portland area artist, through his blog, Painter’s Process. I seriously consider him one of the top contemporary landscape painters, I mean why isn’t this dude in MoMA?
He graciously has shared some of his tips and wisdom with me. My favorite piece of advice? Don’t be afraid to ruin it (artwork). It reminds me of what Elizabeth Gilbert says in her book, Big Magic, to take art seriously but not seriously. He also inspired me to start writing this blog!
I absolutely adore the colors in this one: the cold, dark maroons and greys. He so wonderfully captures the quality of light in winter. It’s muted without being muddy, and somehow glowing. Incredible!
It’s all a matter of pushing the paint, scrapping, pouring, tilting, blotting, and wiping as I try to build my idea. The studies are where I can try something out in a manageable space, but I take them seriously as paintings. My goals are the same for any size. I want a rich, painterly image which represents my view, my regard, my understanding of paint and nature. For myself. I`m trying to paint the paintings I want to see.
Interview with Randall David Tipton The second to last sentence is so good- maybe the best artist statement I’ve read in a long while. Don’t get me started about artist statements…
It’s crazy that he paints largely from memory. Look how keenly he observes the subtleties of nature. He so convincingly captures the reflection of clouds and the movement of grassy wetlands.
Look at that cloud reflection! And this one is a watercolor. People it’s incredibly difficult to have both that freedom and control in watercolor. He is a master!
He has elevated Yupo, a plastic watercolor paper, as an artist medium. If you google or go on Pinterest, most of the stuff you’ll see painted on Yupo is amateurish and features extremely garish, saturated colors. It’s not surprising- Yupo is slick and even more difficult to control than normal watercolor paper. You can see how he takes the unique pooling and puddling texture that paint forms on Yupo and makes it work wonderfully to depict water and sky. I love the transition from the blue sky into the ambiguous forms of the tree. Lovely.
More free flowing textures on Yupo. This is all very, very difficult to do well.
He is wonderfully irreverent of “proper” art techniques- no underpainting or drawing, he’ll use black straight from the tube, he’ll use white watercolor, he won’t clean his brushes after use, he’ll use cheap brushes, he’ll use non-brushes as brushes. He’ll paint right over an older painting without second thought. I asked if he sands it first before painting over it. He said he supposes he should. He asked me, “What’s gouache?” He normally purchases canvases that have been pre primed with gesso, explaining that he doesn’t have the time for it. I like it! That is a very good lesson (I mean I’m already lazy and messy enough so I guess I am extremely biased here) but I think it is true that we all have so limited time, if we can afford to take shortcuts, why not outsource the awful, boring parts?
He credits his tenacity for pulling many pieces together. Hopefully I can be just as tenacious and keep working through paintings that are a struggle and that I’m down on.